Sony UWP-D Two-Receiver Camera-Mount Wireless Combo Microphone System Kit (UC90: 941 to 960 MHz)

The Sony UWP-D21 is a dependable camera-mount wireless lavalier microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you’re ready to shoot within seconds.

The UWP-D21 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic. It also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras.

Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with a digital Multi Interface Shoe. With the UWP-D21, you can focus on the other critical elements competing for your attention during a shoot and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews.

The UWP-D21 is backward-compatible with Sony WL-800 and UWP Series systems.

The Sony UWP-D26 is a dependable camera-mount wireless combo microphone system that delivers uncompromising audio quality, while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you’re ready to shoot within seconds.

Rugged and lightweight, the UWP-D26 includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic. Also included is a plug-on transmitter, which can be attached to a handheld microphone of your choice for man-on-the-street interviews, or to a shotgun mic for wireless booming (both types of mics are available separately). The plug-on provides 48V phantom power, giving you the option to use a condenser microphone.

The low-profile camera-mount receiver is designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. It offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability-even under difficult shooting conditions.

Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with a digital Multi Interface Shoe. With the UWP-D26 you can focus on the other critical elements competing for your attention during a shoot, and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews.

The UWP-D26 is backward-compatible with Sony WL-800 and UWP Series systems.

Note: While this system includes two transmitters, only one can be used at a time.

The Senal ENG-18RL is a broadcast-quality omnidirectional dynamic microphone. The dynamic capsule picks up sound in a 360° pattern and does not require a battery or phantom power, making it a reliable choice for critical field applications. The microphone’s exceptionally low handling noise and resistance to wind noise and vocal plosives make it perfect for professional ENG applications like live reporting, interviews, and press conferences.

At multiple areas inside the microphone, natural rubber with special shock-absorbing properties is bonded to carbon steel rings to isolate the sealed inner shell from the outer shell. This system protects the microphone capsule from impacts and inclement weather, and dissipates kinetic energy, dramatically reducing handling noise and resonance due to rustling and knocking.

The microphone also incorporates multistage wind protection to minimize wind noise and vocal plosives. A mesh grille, acoustic foam, acoustic fabric, and another layer of acoustic foam work to diffuse excess sound pressure from wind and breath. A fixed rigid carbon-steel ring with a unique bullet-shaped design disperses breath to minimize vocal plosives.

The EQ curve is tailored for broadcast use, with a gradual low-frequency roll-off to keep out unwanted rumble, a pronounced midrange to ensure speech intelligibility, and a high-frequency roll-off to eliminate hiss and sibilance distortion. Whether broadcasting on television, AM/FM radio, or over the internet, the ENG-18RL is designed to ensure that dialogue cuts through the mix, and can be broadcast live without EQ adjustment.

The ENG-18RL features a durable aluminum-alloy shaft designed for EMI rejection and reduced internal resonance, with a matte black finish for a professional appearance and minimum light reflection. The mic is also long enough to accommodate a mic flag.

The Auray Universal Plug-On Transmitter Holster is a durable leather case that will fit most wireless plug-on transmitters. It builds upon its predecessor, the UPOH-A, by increasing the area of the side window. This change accommodates more brands and models.

The side window makes it easy for you to view and access your transmitter’s controls. Also, you’ll notice that the connector cutout has been made wider to facilitate cable interaction and connectivity with a greater range of transmitters.

The Auray Plug-On Transmitter Holster is built with a heavy-duty belt clip. The transmitter is secured in the holster by a touch-fastener closure that keeps your device protected while conveniently at your side.

The Vello V-Rig 4.1″ Triple Shoe Bracket mounts onto a camera’s accessory shoe in order to provide three additional accessory shoes for mounting lights, monitors, microphones, or other accessories. In addition to the shoe mount, a 1/4″-20 thread is also available for attaching the bracket to a tripod, rig, or other bracket featuring a 1/4″-20-threaded mount.

The bracket is constructed from rigid, yet lightweight single-piece aluminum alloy, and the mounting shoes are machined out of the same piece as the bracket, for additional strength. The accessory shoes also feature backstops for greater security when attaching accessories. The bottom shoe that attaches to the camera features a locking pin, which keeps the shoe in place and prevents the shoe from rotating during use.

Offering superior sound quality compared to conventional adapter cables, the Kopul CMCS-1 lets you easily capture sound from two 3.5mm microphones into your DSLR camera or camcorder in discreet mono or combined stereo while bypassing the hassle of a dangling adapter cable.

This simple and lightweight solution utilizes a shoe mount for effortless attachment to your shooting rig, and it features dual mono inputs for external microphones and a 3.5mm stereo output, making connectivity uncomplicated. The onboard switch allows the CMCS-1 to transmit a mixed stereo signal or two individual mono signals to any DSLR camera or camcorder with a 3.5mm input.

The compact and featherlight CMCS-1 is ideal for recording dialogue, narration over ambient sound, or stereo soundscapes and is so straightforward to operate, it will improve your audio without any interruptions for your workflow. Since the CMCS-1 is passive, it requires no batteries or special source of power.